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Ann Meyers Drysdale wasn’t an accidental broadcaster when she pivoted from a ground-breaking Basketball Hall of Fame playing career in the 1970s and ’80s, looking for a meaningful way to stay involved in the sport.

Her dedication has brought more Hall of Fame recognition. The Southern California Sports Broadcasters organization, which has included three dozen men in its Hall of Fame since founder Tom Harmon was first recognized in 1992, will give Meyers Drysdale another historic embrace with her inclusion in its Jan. 28 ceremony at Lakeside Country Club in Toluca Lake.

“Honestly, I never imagined something like this, and it’s important to me to be grateful for so many who have opened doors for me, many without me even knowing about it,” Meyers Drysdale said during a break in a four-game trip she took with NBA’s Phoenix Suns as a Fox Sports Arizona analyst.

Here’s more from our weekly piece in the L.A. Times sports section at this link.


By Tom Hoffarth
We had the pleasure of reminiscing with Tony Petitti and Rob McGlarry about the first 10 years of the MLB Network’s existence — it launched on Jan. 1, 2009, with a record 50 million homes that could access it. The result is a post this week at The Hollywood Reporter.
There was no crying in their baseball remembrances. Only a lot of laughs and memories of the many highs that came from becoming the fourth of the four major sports leagues to put up their own 24/7 cable channel.

Petitti was the first MLB Net president and CEO, and McGlarry was the Senior VP of Programming and Business Affairs. Eventually, Petitti turned the reins over to McGlarry in late 2014, when Petitti joined the MLB Commissioner’s Office.
One of the interesting sidebars to the MLB Network launch, and its first year on the air, was brought up again in a one-hour special that the net has been airing in celebration of its anniversary.
Studio analysts Harold Reynolds, Al Leiter, Dan Pleasac and Sean Casey talk about how the MLB Network carried live the 2009 MLB Draft — but only one potential draftee showed up. And as the picks were taking place … No. 10, 15, 20 … this high school player still wasn’t picked.
Finally, with the 25th choice of the first round, the Angels grabbed Mike Trout. And with that, the MLB Network was grateful he was not only there, but what a story it holds up to be 10 years later.

In addition to the Q&A posted in THR, we have more to add here:

For Tony: All the time you had put in at ABC, NBC and just coming over from CBS Sports to run this. Why was it worth making that leap of faith at the time?

tony petitti mugPetitti: It was a really tough decision. I loved CBS. I had a great relationship there and I loved the responsibilities I had there on the production and  programming and business side of it. You work on big shows that has a halo effect on how you think about things. So giving that up was not easy but for me personally, this opportunity for this startup with a culmination of all the things I had done in my career, even going back to a general manager of Channel 2 in New York. There was no guarantee that I’d do a great job, but if there was ever a place to take some risk with this skill set … There were people working close with me who told me, across the board, there’s nothing like this you’ll ever do with a start-up especially at this level with 50 million people on Day 1. Even people like Dick Ebersol and Dennis Swanson, whose opinions I really value, their attitude and advice about this was about how exciting it is to build something from scratch with that comradery. I’m equally as proud to this day the way the people at MLB Network work together. I’ve been blessed to work at other places, and I was so relieved to see how everyone there is very supportive, they work hard and they care. You can’t ask for anything better than that as a manager

For Rob: The business model of how MLB Net was getting into more homes right away and offering the MLB Extra Inning package as part of distribution? You got major cable and satellite deals to buy in as well. Was that something you learned?

rob mcglarry mugMcGlarry: I can’t speak for the other networks but trying to use the out of market packages as a lever with the distributors had not been done before. We were focused on broad distribution, it’s no secret there was a a fair amount of controversy in 2007 when we did initial deal for something that was two years away from launching. Some who couldn’t get out of market packages weren’t happy about it, and then I was in Washington for as senate hearing by Sen. Kerry about it, as there was a war going on, which made it interesting. But the great thing we reached agreement with Comcast, Time Warner, Cox and many other large operators, Cablevision and Charter, and we were already on with DirecTV so we knew we’d have the 50 million homes, and knowing that distribution allowed us freedom and resources to get the network that baseball could be proud of.

Somewhere in this whole MLB Network existence, there was a merger with the NHL Network, sharing resources. How did that puzzle fit together?

McGlarry: That was in the first year I was here. Someone asked, ‘What do you think of doing the NHL Network too?’  I thought they were joking. No they were serious. Can you do it the start of the season? For us as a business, it happened at the right time when I think some networks were having to cut back and we were more efficient to operate two networks. It was also efficient from a creative perspective. It provided a nice outlet for some people here. We learned from baseball and hockey, some work and some don’t, and it’s been a very productive relationship with the league and great for the people here and all our business partners. It turns out, the seasons align themselves incredibly well, too. I’m sure they weren’t thinking about that, but if the regular seasons overlap, it’s only about a week (in April). Then comes the hockey playoffs. We can also have fun with it at the MLB Network. Our Studio 42 has the replica of a baseball field, but right away we had a Stadium Series game at Coors Field (in Denver). So we got a hockey rink and put it down in the middle of Studio 42.



The innovation of the Ballpark Cam gave you access to everything that was going on at a stadium, before and after a game in particular, for batting practice, for live interviews. How did that come about?

Petitti: When I was at CBS Sports, Ken Aagaard was there as head of operations and allowed to do some freelance projects. One of them was to help the MLB Network. So he’d be in his office down the hall from me, and we’d built this great friendship over the years, working in control rooms together. He would be telling me he had a meeting to take with the MLB Network, and I’d be getting on him: ‘C’mon, we’ve got the NFL playoffs right now, and March Madness is coming, and you’re worried about this?’ And all that time, I never told him I’m thinking about going there, too. I finally get hired, and I can tell him, and then we’re working on this Ballpark Cam project now. It was so much fun. Of all things that were contributed as ideas for the MLB Network, the Ballpark Cam was the best thing. We have two live cameras in every ballpark and we control remotely, in high def, it pans and tilts. One near a dugout and the other in center field. We could do interviews from every game without worry about booking facilities, getting an uplink, finding someone to do the interview. There were hours of content just generated from watching batting practice.
Even 10 years later, this is the game-changing technology. If you think about it, NFL players live at their practice facility and have days off before their games. But with baseball, the players basically live at the park, so you have to connect with them there. And no matter who the player was, if they gave us their time, we put them on the air. You want them to know that when they had their big moment, we got it on air. Every player felt welcomed. All became the Ballpark Cam gave us that freedom. I can’t imagine the network without it now.

The talent that it takes to fill 24/7 every week must have been a challenge as well. You’ve got nearly 50 on-air people now. But the first hire was Bob Costas — in a deal that still allowed him to work at NBC and HBO.  Having Costas there, at the right place at the right time from the first show, had to be a tremendous anchor to resonate for the channel — even winning a Sports Emmy Award for Outstanding Sports Personality/Studio Host that first year in 2009.

Studio  42

Bob Costas, right, with Billy Crystal in Studio 42 at MLB Network studios in Secaucus, N.J.

Petitti: It was a real passion play for Bob. He not only got us the quality programming from the start, but he also helped book talent. He made phone calls to get people to come on with us. There was a huge value in that.  It all happened because, as I’m winding down at CBS (in May, 2008), Barry Frank (Costas’ agent) called to ask if I had thought about having Bob for this MLB Network. I was like, ‘Wow, he wants to work for us? Really?’ You didn’t see a lot of that (ability to share talent) with league-owned networks. Dick Ebersol was great in allowing Bob to do stuff with us (as Costas was still employed at NBC). Dick was also great in recommending Matt Vasgersian to work for us. It’s not about pride of authorship as all these ideas and offers start coming to you from all over the place.
Every day, during the season, and in the off season, you wake up to maybe four or five story lines that are important in the game. The challenge of a 24/7 network is to present those story lines with different perspectives so you’re not repetitious. Not everything is analytical like we do on “MLB Tonight.” A show Brian Kenny does comes from another perspective. There’s Chris Russo, who talks like a really educated fan. He may not be for everybody, but he’s doing it in a voice some people really like. Analysts from all different perspectives. That’s the trick of all this, right? We don’t chase a big story when it breaks, we all have to stay in our lanes. We have to bring different voices to it. That becomes the ultimate challenge and the test of what makes you good or not.

When Ken Burns created the “Baseball” historical documentary in 1994, it was structured so that almost every episode covered a 10-year period in the game’s progression. In 2010, he added the “Tenth Inning” that would cover the 1994 strike through the 2009 season. That’s kind of an interesting cutoff — in 2009, the MLB Network launches. If Burns ever decides to do another chapter — call it the “Eleventh Inning” — it would have to pick up at 2009, which is the birth of the MLB Network, and all that it contributed to the game’s history. Agree?

Petitti: In that period, and even earlier, there’s also the creation of MLB.com, which set the tone of creating a world-class original digital content company, and then soon came the launching a network that’s highly regarded and provided baseball fans with content they love. The network has been in every big moment since then. Even if someone else is covering the World Series, the MLB Network is there three or four hours before and the same amount of time after each game. It’s around everything that matters, with enthusiasm and passion and great knowledge. It really is a huge part of the evolution of the game.


By Tom Hoffarth
A few more points to consider after the posting of our L.A. Times media piece that makes a case for Clippers broadcaster Ralph Lawler to be considered for the Curt Gowdy Media Award by the Basketball Hall of Fame in 2019 — which would be a classy way to top off Lawler’s 40-year run with the team after his retirement this summer:

BHOF_3C_800x580== As we pointed out, there are some not-so-obvious hurdles that need to be cleared for anyone to be considered for this lifetime achievement award. One is how to stand out from a broad range of candidates — those who’ve worked in the NBA and college, play-by-play and color, sideline reporters, local and national. The other is there isn’t a lot known about who is on the committee that ultimately decides who gets nominated and voted upon.
David J. Halberstam, a longtime sports media observer and historian, and one of the voters for the Baseball Hall of Fames’ annual broadcaster award, said he has discussions recently with John Doleva, the organization’s president and CEO, about how to frame this award so the public might be more aware of what it represents.

Read more


By Tom Hoffarth
Here’s an illustration of Bill Walton from the esteemed Jim Thompson, who drew it up to help set the tone for a piece we did on the former UCLA star and broadcaster in 2016  entitled “Bill Walton’s long, strange trip inside his reconstructed soul”
THOMPSON WALTONIt was right about the time his new book, “Back From The Dead” came out — if you’re wise you’ll get the audio version read by the author. He revealed how he almost ended everything because the pain in his back was too much to bear.
You see him now with photos of outstretched arms, embracing the world … like above.
“It’s because I can now do that,” he said then. “For so many years, I couldn’t even lift my arms because my spine was so bad. It is a very celebratory pose that people use when things are going great. And right now I’ve never been better or busier. Or this healthy since I was 13 years old. Both ankles are fused. Got a new knee. A new spine. I never thought I would be pain free. I’m lucky.”
We are lucky to have a pipeline into Walton’s world, and we reconnected for a story about how, whenever he’s on an ESPN or Pac-12 Network telecast, the social media world embraces him, often in very opposite ways.
Some call him insufferable.
We align with those who refer to him as a “national treasure” and example of “a sonic voyage … of cosmic exploration.”
As we talked to Walton recently, he was in the passenger seat of his car with his wife, Lori, doing the driving. We asked if he was aware of the volatile social media debate he sparks every time he’s on TV.
“Lori, do I pay attention to social media?” he asked.
Probably not a good time to ask. As they were driving from Death Valley to Westwood on Interstate 15, a dust storm was amidst and visibility was limited.
After a long pause, Bill came back on the line: “Lori says no!”
He seemed to be howling in concert with the winds whipping outside his window.
“The world we live in now .. for so long, we have had dreams, and worked hard and tried to be intelligent about them,” he continued. “Today, if you have a thought, in literally the shortest period of time, that nano second, it becomes reality and part of a larger collaborative community. I take my responsibility very serious and take pride in it.”
We could fill a whole new post with just the outtakes from that discussion. But for now, here’s the piece we had in the L.A. Times about Walton’s social media experience that we swear most times he’s just messing with us …

UPDATE 12.15.18: Five letters to the editors included in the Saturday edition of the L.A. Times as it relates to this, linked here ….



The Drill L.A. Morning Briefing podcast: Where to find it, how to enjoy it, what you can do to help us …

Let us help you help us …
The latest revival of the Drill L.A. Morning Briefing podcast, after some retooling and a focus on how to make this something you can take and enjoy on your morning drive to work, is best found on the GameTakes.com app.
It is also available online at GameTakes.com, if you just search and find us.
We started this months ago with the idea of giving you a morning briefing on what happened the night before in L.A. sports, what’s ahead, and giving it all some context from two sportswriters with L.A. roots.
The plan is always to revive the YouTube.com vodcast version of the show as well with upcoming special guests.
We appreciate your feedback on what we’re doing, what you like to hear, and where we can take this. So perhaps put this back on your radar:
The Dec. 3 Monday edition is here.
The Dec. 4 Tuesday edition is here.
The Dec. 5 Wednesday edition is here.
The Dec. 6 Thursday edition is here.
The Dec. 7 Friday edition is here.
More to come ….


When the White House announced last week Babe Ruth would be a recipient of the Presidential Medal of Freedom at a ceremony this Friday, Jane Leavy couldn’t help but tweet out: “ ‘Bout time. Only been dead 70 years.”
81osohl-gAL (1)Comparably, it took Leavy just eight years of ruthless research, reflection and refinement before her 600-plus-page book entitled “The Big Fella: Babe Ruth and the World He Created” started thumping itself down in best-seller lists and renewing conversation about how media-based star power can be construed over the last century span.
Historical tomes about the Ruth as recently as Leigh Montville’s “The Big Bam” in 2006, playing off Robert Cremer’sBabe: The Legend Comes to Life” in 1974, were not able to exhume as much about his true  childhood or debunk mythology as much as Leavy could do with modern forensic techniques.
Did this book’s well-received publication bring new veritas toward some Trump-endorsed recognition? If anything, it confirms Leavy’s refreshed narrative of how we continue to learn and marvel at Ruth’s launch angle for athlete/entertainer more than 100 years later.
Here’s the rest of the story we posted at the L.A. Times.
* Here’s also more Q&A we have with Leavy at FartherOffTheWall.com.

* A special historical-based piece for the Long Beach Post
* And here’s an excerpt of the book from SI.com.
Also did you know: Barnes & Noble has a special edition/signed copy of “The Big Fella” that includes an essay after the index about Leavy’s relationship with the late, great Red Smith. Order that one here or visit your local store.

We love L.A., too … but when do the visuals become too cliche? Fox figures it out during the World Series ‘equinox’

At some point, even the Hollywood sign sighs.
C’mon, do we have to spell this out for you — the nine giant white letters propped up in the Santa Monica Mountains don’t define Southern California. Nor does a glamour shot of Rodeo Drive. Nor something edgy like a Venice Beach skateboard park/tattoo parlor adjacent to an outdoor basketball court.
Sunday played out under the headline of Los Angeles’ “Sports Equinox”, and a lot of people across the country saw a lot of L.A. cultural touchstones if they were paying attention on TV.
Fox Sports, based in Century City, also stepped up its game.
For all it could control with its coverage of World Series Game 5 from Dodger Stadium, following its Rams-Packers NFL game from the Coliseum, the hometown network looked as if it wanted to flip the script for all those other cliché-laden visuals that others recycle in setting the stage for what they believe conveys L.A.
“Obviously, with people who live and work here knowing the ins and outs, we can show off this city in its true environment and not what a TripAdvisor might tell you about the top 10 spots to visit,” said Judy Boyd, Fox Sports’ senior vice president of production. “It’s not the Hollywood Walk of Fame or pop culture celebrities or what others may think.”
Here’s more from our L.A. Times piece in coordination with the conclusion of the World Series media coverage …

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